- A main character who is driven towards achieving a goal
- An opposition to your main character who will hold your main character back from achieving their goal
- A fight (literal or metaphorical) between your main character and their opposition
- An ending which answers the questions "Can the main character achieve his goal?"
The above points familiarise with Claude Levi-Strauss, narrative theory about binary oppositions e.g. conflict between two things such as good/bad, light/day etc.
Main character
- Mandy the main character will be an innocent looking teenage girl with a bad past, who tries to overcome that past but has been reminded of it due to a recent situation. Because of this recent situation she has to use her past in order to change her future for the better. But as always there's something/someone in the way...
- The attacker/stalker who won't be shown in the opening three minutes will be a significant person who Mandy knows of but doesn't realise until later on, when all the clues start coming together. He will have had something to do with her bad past and wants he to remember it for some specific reason we don't know.
Character background: Jenessa
Cultural background
Ethnic- Black British
Social- Class background
Religion?- Christian
Education- Studies: Psychology, Sociology, English Literature, Science in society.
Occupation- Student
Character background: Abiola
Ethnic- Black British
Social- Lower middle class
Religion?- Christian
Education- Studies: Law, Business studies & History
Occupation- Student
Character Background: Richard
Ethnic- Black BritishSocial- Lower middle class
Religion?- Christianity
Education- Studies: Sociology, Business & Media Studies
Occupation- Student
The Time period
The thriller my group will be doing is set in the current period we are in now. This is because the audience will be be able to feel more involved and up to date with whats going on in this particular time period.
Location
Our film will be located mainly in Enfield, beause the group, actors and I are familiar with these settings. this cuts down the amount of research will would of had to do if we were to use a setting which is unknown to us and we know how Enfield is so we can encorporate that into our film. Also It is unwise to write about a location that we've never been to before even though its possible. It just requires a lot of specific research. The location affects clothing, attitudes, pace of life, accents, etc. There won't be no dialouge in our opening so accents wont be heard but we will try get across everything about location through the film.
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